a_BAHN
a_BAHN
Publié par Alexis Smouts le Monday 25 October 2021
Since the founding of a_BAHN in 2013, we’ve been working on developing the art of hybridization; trying to be in the intersection of forms and genres, which breaks free from established norms. a_BAHN has a unique experience in social impact cinema and original out-of-the-box and hybrid contents. It’s commitment paired with creativity. The company is fully dedicated to supporting the creation of content that is both artistic and accurate and that engages an audience in response, bringing together the traditional worlds of film and television with new media.
a_BAHN focuses on authors developing challenging narratives with high artistic value, and an international audience. As producers, we accompany them in the development of a singular view on the world. Our authors seek to interpret reality, to give birth to universes. Above all, they seek to inhabit the world poetically. By making us doubt, by making us question ourselves, they make us more alive… and sometimes actors of change.
a_BAHN produced, among others, the highly-acclaimed animated social impact film and transmedia Zero Impunity by Blies Brothers (2019, Annecy International Animation Film Festival, Sao Paulo IFF, Moscow IFF, Thessaloniki IFF, Amiens IFF, Guadalajara IFF…), Blies Brothers’ transmédia Soundhunters (ARTE – 2016, nominated for the Prix Europa) or VR films like 7 Lives by Jan Kounen (2019, Tribeca Film Festival) and Cosmos Within Us by Tupac Martir (2019, Mostra di Venezia International Film Festival). a_BAHN has currently several projects in production, especially ARTE’s documentary Monk, Pannonica: An American Story by Jacques Goldstein, the ambitious TV documentary series Draw For Change or the touring immersive experience Sweet Dreams by Robin McNicholas and Simon Wroe.
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L’Atelier du fleuve
Publié par Alexis Smouts le Monday 25 October 2021
L’Atelier du Fleuve is a company for the development and conception of artistic and cinematographic projects created by the director duo Nicolas Blies and Stéphane Hueber-Blies. It is in the manner of poets that they wish to develop intimate projects which will approach through their personal traumas, but also through their family history, the social and political characteristics of the region of their childhood: Alsace, and more largely of all the Rhine basin. Film, documentary, theater and XR/immersive work will serve as playgrounds for projects engaged in the reality of this beautiful but also so particular and complex territory.
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Skill Lab
Publié par Alexis Smouts le Monday 25 October 2021
Skill Lab was foundedin 2010 by Gwenael Francois and Julien Becker and produces filmed and animated fiction.
Coming from the geek culture, driven by fantasy and imagination and always carrying original creations, the company focuses on projects that develop deep stories with a strong visual impact. They produced their first short film in 2013 (22:22), winner of the Filmpraïs 2013 in Luxembourg. Afterwards, Skill Lab produced 3 short films (Article 19-42, Lupus, Bellevue), a transmedia docu-fiction project ( An Zéro) broadcasted on Arte and is developing several virtual reality projects ( Oto’s Planet, Tachychronie).
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14:00 – 16:30 | online
Publié par Célia Janus le Thursday 14 October 2021
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14:00 – 16:30 | tbc
Publié par Célia Janus le Thursday 14 October 2021
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14:00 – 16:00 | DATE IN JANUARY TBC
Publié par Célia Janus le Thursday 14 October 2021
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Film Fund Luxembourg
Publié par Célia Janus le Tuesday 5 October 2021
The Film Fund Luxembourg was created in 1990 to encourage and promote the development of the audiovisual production sector in the Grand Duchy of Luxembourg. As a public institution under the supervision of the Minister of Culture and the Minister in charge of the audiovisual sector, the Film Fund implements the Luxembourg government’s overall policy of support for audiovisual production.
The Film Fund’s mission is to encourage cinematographic creation and to promote the development of the audiovisual production sector in the Grand Duchy of Luxembourg, in particular by means of subsidies, financial aid, grants and awards. It is also in charge of managing all other operations in the field of support to the audiovisual sector such as promotion, co-production agreements and certificates of nationality of audiovisual works.
The main support mechanism for the audiovisual industry is a selective system of advances on receipts called “Aides Financières Sélectives” (AFS) aimed at the writing of scripts, concepts, development and production of short films, feature films and series of fiction and animation, documentaries as well as transmedia and Virtual Reality projects.
The Film Fund also represents Luxembourg in all European and international audiovisual initiatives, such as the EFAD (European Association of Film Agencies) network, the EFP (European Film Promotion), and Eurimages, the Council of Europe’s pan-European co-production fund, and is a partner in initiatives organized within the framework of the Francophonie. The Film Fund also hosts the national contact point for the European Commission’s Europe Creative MEDIA program for film and audiovisual.
Every two years since 2003, the Film Fund has overseen the organization of the Luxembourg Film Prize (Lëtzebuerger Filmpräis), which awards the best contributions to Luxembourg cinema. Since 2014, these awards are organized in close cooperation with the Luxembourg Film Academy (d’Filmakademie).
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Wallimage
Publié par Célia Janus le Tuesday 5 October 2021
Wallimage and Wallimage Entreprises are two limited companies under public law which constitute the Walloon regional audiovisual pole. 100% owned by Wallonia, these S.A. are purely economic funds initiated respectively in 2001 and 2008 with a view to creating jobs through the development and perpetuation of a regional audiovisual industry.
Our 3 activities :
- Co-productions: 6.5 million €/year are invested in audiovisual projects, as co-producer;
- Filming: free services for filming (location scouting, authorizations, skills, etc.);
- Companies: financial support for audiovisual companies and a selective mechanism for financing video games.
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14:00 – 16:30 | online
Publié par Charlotte Monnier le Tuesday 28 September 2021
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In the press
Publié par Charlotte Monnier le Friday 17 September 2021
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